directed by Werner Herzog (2011)

Into the Abyss takes an unsentimental (is Herzog ever any other way?) look at a particularly senseless murder and subsequent death sentence.

In most hands the subject and people could be treated with pointed, tear jerking emotions, but with Herzog’s frank discussions (at one point he tells a murderer he has no intention of liking him) the people involve are allowed to be more dimensional.

He asks questions and focuses on details other film makers would ignore.

The result is more than a knee jerk reaction to crime, poverty and the death penalty. It provokes you to actually think about it.

Herzog is an incredible documentarian who usually takes on nature more than human drama. In a way, this is a quieter film from him that lacks the interesting scenery of his more familiar works but it’s certainly not one to be missed.

It’s available on Netflix instant and beats an Investigative Reports any day.

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Posted on May 24, 2012

directed by Claude Chabrol (1978)

Violette opens with Isabelle Huppert dressed in black with thick eyeliner, red lips looking every bit the femme fatale. In a bar, she teases young men with intense stares, long cigarettes and indecent proposals. Soon, however, we see young Violette at home, where she is clean faced, seemingly obedient, looking years younger, eye battingly sweet and a pathological lair. She suddenly, in the skillful hands of Huppert, becomes more complex; recognizable as one of those sociopath teenage girls who longs for something more than her common, strict home life – a 1930s echo of all the girls that walk out of their houses in modest clothes and a lie about spending the night with a friend only to have a stash of makeup, revealing tube tops and mini skirts in her backpack for a tour of the mall. Except, of course, that this one has murder on her mind.

Based on a true story, Violette is a conniving teen – deeply passionate underneath a shockingly emotionless exterior. The murder, once it is revealed, is as mundane as it is disturbing. Her life outside the home is daring and dangerous. She meets with many older men, is a blackmailer, and even keeps a hotel room for her many trysts. Her parents, a struggling but happy train conductor and a gorgeous woman with a secret past – played by Chabrol’s wife and muse Stephane Audran, are poor (but never has close quarter apartment living looked so cozily French – save for 400 Blows maybe). They try their best to assure better for their daughter and the relationship and dynamics are tackled with subtly and the artful patience Chabrol is known for. This is not a fast paced film but a quietly fascinating one – partially for the cinematic beauty and partially for Huppert’s captivating performance.

Director Claude Chabrol passed away last week and was one of the most important forerunners of the New Wave movement in France. His career is vast and sadly less known than many of his contemporaries. His last work, Bellamy, comes to theaters this Fall.

Click here for the rest of Violette

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Posted on September 26, 2010

On the Investigation Discovery channel

Visually, it definitely takes some getting used to (the first time Brittany and I watched an episode we found the overuse of kinetic video techniques incredibly overwhelming – and distracting), but the concept behind Wicked Attraction is undeniably intriguing: the show profiles couples (usually romantically involved, but not always) who have gone on (usually murderous) crime sprees.

The great Honeymoon Killers examines the bizarre, but not unique, relationship of a pair of crazies who probably would not have been killers if they hadn’t met each other but, through some crazy shared world view (usually founded upon the romance of the outlaw lifestyle), became serial killers. Badlands is a pretty wonderful portrait of this kind of relationship – so is Natural Born Killers, for that matter.

What’s great about Wicked Attraction is that it examines tons of similar cases – as a tease, a photo of Karla and her husband Paul flashes across the screen in the over-done intro – most of which are not nearly as infamous, though no less horrific, than the few high profile couple-killer cases we’re all familiar with. One particular episode, about two guys who met in prison and bonded over their mutual interest in abducting, assaulting and torturing women then, upon their respective releases, went out and bought a van and murdered an untold number of young girls, is truly chilling.

The production staff is always saddled with too few photos to work with (see below/after the jump), so I can almost understand the use of all the stylized digital fire, spazzy zooms and quick blurs; the over-saturated dramatic recreations (told almost entirely in close up) are an entirely different matter.

Click here for the rest of Wicked Attraction

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Posted on December 6, 2009

By Lisa Reardon (2004)

Lisa Reardon is known as the queen of redneck noir and Mercy Killers is actually the second novel of her’s that I’ve read – Billy Dead being the first – and, like Billy Dead, it’s no cake walk. The world she creates is a grim one rife with abuse, death, drugs, poverty, alcoholism and hopelessness around every corner.

The time is the late sixties and the novel follows a group of trashy friends from early tragedy to the Vietnam years. Some of them go into combat, none come back the same. I won’t give too much of the plot away but, suffice to say, bad things happen to bad people.

What makes the book so readable (albeit depressing) is Reardon’s voice, which somehow makes the characters compelling and sympathetic or, if not exactly sympathetic, at least understandable in their rottenness. After doing some research on the author after finishing the book, I may have figured out why she’s so in tune with the sordid world she depicts!

Just a few months ago, Reardon was jailed for attempting to murder her father with a shotgun. He survived the attack, a fact that prompted her to say “I just cannot believe I missed. I will never get another chance.” Read the full article here.

Click here for the rest of The Mercy Killers

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Posted on November 15, 2009

I was noticing that the dapper Dominick Dunne was looking a bit ill in the latest episodes of Power Privilege and Justice and I was terribly saddened to hear that he passed away last week. The channel played a thirteen hour marathon of his true crime show and if you missed it, I highly recommend recording repeat episodes.

The show focuses on high profile crimes committed by or against the rich and or famous. Many of the cases made headlines and many of those headlines were written by Dunne. He was an insightful and entertaining correspondent for Vanity Fair and essayist on celebrity crime. He brings his wit and expertise to the show as well as a meticulous fashion sense and a collection of smart and unconventional ties.

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Posted on August 31, 2009