directed by George Butler and Robert Fiore (1976)

It’s always been hard for me to believe that Pumping Iron is a great movie, not just as a piece of bizarro kitsch, but a respected documentary that  frequently tops reasonable peoples’ lists of their favorite films… until I watched it, of course. The film, set during and before the 1975 Mr. Olympia competition in South Africa, follows the king of the sport, Aaanold as well as his upstart competition, a then sweet and dopey kid named Lou Ferrigno, his friend and fellow champion, Franco Columbo and other lesser known men striving to achieve success in the unique world of body building.

The movie shares much with some of my favorite documentaries: the well renowned The King of Kong and the criminally forgotten Derby in that it’s an intimate portrait of a small subculture that is strange to most of us; it’s always fascinating to get into the minds of people obsessed with what they love.

It’s a well made piece of vérité that’s infinitely quotable:

“It’s like I’m cumming all the time” – Arnold

“I’m the kind of person that’s like the kind of dog that’s going to bite back” – Mike Katz

“I was always dreaming about powerful people – dictators and things like that” – Arnold

“Milk is for babies. When you grow up you drink beer” – Arnold

After years of being unavailable, the DVD can now be widely purchased, so do enjoy!

Click here for the rest of Pumping Iron

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Posted on January 10, 2010

Heartwarming, heartbreaking, humbling and uplifting; these are not exactly the words I expected to use when describing Sacha Gervasi's 2008 documentary Anvil: The Story of Anvil, an intimate portrait of the core members (now in their 50s) of a long-lived but commercially unsuccessful heavy metal band… And I certainly didn't expect to cry; but cry I did, profusely enough that I couldn't even pretend that there was something in my eye.

If you ever want a portrait of perseverance and inexhaustible optimism, you needn't look further than Lips Kudlow, the band's lead singer, who, along with his lifelong friend drummer Robb Reiner, have stayed together to play in small clubs, go on ramshackle European tours, and work full time at blue collar dead end jobs to make ends meet.

Comparisons to Spinal Tap are inevitable, but these are real people in real situations. Once metal gods, Anvil inspired numerous mega bands like Guns 'N Roses, Anthrax, and Slayer but, unlike those bands who all went on to make millions, Lips and Robb struggle to live the dream daily. While it's sad at times, it's an overwhelmingly affectionate portrait that doesn't judge, poke fun, or humiliate.

If you want to feel the power of Metal on Metal and the triumph of the human spirit, watch it!

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Posted on October 12, 2009

As a connoisseur of true crime television shows, I can definitively state that actual footage of under-cover busts, taped conversations, and interrogations are often the best part of any program. Enter The Interrogators, a new show on the Biography channel. Of course it's awesome and of course I love it.? There's an episode On-Demand if you're an NYC-area Time Warner customer, just search it out in the guide.?

There's more on Biography.com

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Posted on August 17, 2009

I put on the 1960 documentary Jazz on a Summer's Day on a recent half day afternoon while Jim was still at work hoping for some pleasant background entertainment as I took care of stuff around the house, but I quickly found myself far more enthralled than I expected – and I even went so far as to pour a smallish glass of wine as this soothing and stunning film washed over me.

Centered at the 1958 Newport Jazz Festival and interspersed with the WASPy beauty of a yacht race, the movie is almost without dialogue, except for the the occasional introductions from a radio program and the banter of performers – and what performers they are! From a cooler than cool Thelonious Monk, to a cheery, feather-capped Anita O'Day, from an energetic Chuck Berry to the solemn and powerful Mahalia Jackson, the music will be instantly diggable to any fan of the genre, and possibly even create a few new ones.

Beyond the performances, the style of the film and the subjects are highly inspiring. The director seems to almost know the exact images that would excite the current nostalgic movement: a man gathering old timey bottles, a ragtime band playing on the back of a pickup through the coastal Rhode Island landscape, a woman's perfectly red lips and pony tail – these are the images that can make men who name their babies Miles and open up speakeasy barbershops weep.

It plays like a living, breathing mid-century Sartorialist, and it's little wonder that the pure visual aesthetics (and fashions in particular) are given so much weight once you learn that noted fashion photographer Bert Stern (famous for his intimate shots of Marilyn) is behind the lens. He's just as amazed by Dinah Washington's white silk banded gown as her vocals. Stern's amazing eye, combined with what has to be one of the most impressive lineups in jazz festival history, make this seemingly simple film into an extraordinary experience.

I hope this collection of stills will further inspire you to watch.

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Posted on July 20, 2009

Why do I mention it now?

Because this hard to find gem of a movie is finally available on DVD and can be put on your netflix queue now!

Here's what I said back on

Derby, which I read about in Brix Pick The Scarecrow Movie Guide is not an easy one to find, even Photoplay (see what to do with an hour, below) didn't have it. I finally found it on Just 4 The Hell of It (who were great about quick shipping). Since it's a dub of a video, we scanned the disc quickly before watching, just to see the quality. The first scene we happened upon was of the main subject's brother looking at a Playboy as the subject's wife gets angry with him for hiding her raisins and making her take an extra trip to the grocery store just for a box of raisins, which he hid too. I knew from that small taste that it was going to be an awesome ride–and it really is.

Unfortunately, despite the best efforts of DVD transfer guys, the original sound has not been remastered and a good portion of some scenes are nearly inaudible. It can be frustrating, but with a little patience you'll see an early example of brilliant documentary film making.

The film focuses on Michael Snell, a down and out factory worker in Dayton, Ohio with two kids, a wife, a lazy but fascinating brother, and one big dream: to make it in roller derby. His story is juxtaposed with Charlie O'Connell's, an example of a life truly saved by the sport. He has fans, an adoring beautiful wife, a mansion overlooking Napa Valley, and a proud papa.

Snell's life is not as fantastic, aside for the proud papa who, like everyone else in this movie, is obsessed and fanatical about derby, making the film not only a portrait of another time (the early 1970s), but of another planet where roller derby is the biggest thing in the world. There's a lot of totally watchable derby footage, but the genius of the film is the way director Kaylor lets the story follow whatever happens.

And what happens? Well, aside from the raisins, his brother Butch talks to their friend who just got back from Vietnam about plans to avoid the draft “I'm a lover not a fighter” he says; Snell convinces his manager at the Firestone tire factory that his sunglasses are prescription and refuses to take them off in front of the cameras; a team member from a pro team talks about why he owns a gun (to keep rivals from breaking into his hotel room and attacking him); Snell's best friend, Roger, talks about why he owns a gun (sick of getting beaten up at bars); and, in an amazing scene, Snell and Rogers' wives confront Donna, a neighbor both of their husbands are sleeping with, about her affairs while wearing matching outfits.

Snell is trying to make it to a school in California so he can try out for the teams, but all the audience is sure he succeeds in doing is getting a loan from the bank to buy a motorcycle. Derby is making a small comeback with the suicide girls set, and I really hope this renewed interest might make someone, somewhere re-release this movie and clean up the audio.

Kaylor's work, which predates Errol Morris' by many years, should become a must-see for anyone with an interest in documentary film making. It's too bad there's nothing else on his resume except a couple 80s flicks: Nobody's Perfect starring Chad Lowe; and Carny with Jodie Foster, and Gary Busey (which means I'll obviously be trying to find these as well).

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Posted on June 15, 2009