Movies »The Square

directed by Nash Edgerton (2008)

Lofty comparisons to Coen Brothers or the noir great (and recent Brix Pick) Body Heat are given out generously but rarely to a movie that actually deserves it. Australia’s neo-noir The Square comes pretty close. Set in a suburban town among thugs and working men, the script seems interested in seeing just how very wrong plans can go when they involve taking a bag full of money.

Actor David Roberts plays Ray, a man desperate enough to go to greats lengths usually preserved for characters in just this kind of movie for a woman he loves with iron jawed realism. The rest of the cast is notable too for their believable portrayals, particularly Joel Edgerton (who also wrote the film – brother Nash directed) as a criminal for hire. After all, as film like as the plot is, with hired killers, black mail, and affairs, I’ve seen enough true crime shows in my life to know that normal people do bad things like this all the time. Though presumably without as much bad luck as Ray.

Can’t reveal too much without giving away the enjoyable suspense, but there are enough twists and surprises delivered with gritty, bleak gravitas to forgive that it doesn’t exactly live up to the comparisons its garnered. In a  drought of decent new movies to watch on DVD (Marmaduke or Tooth Fairy anyone?) this lesser known thriller is a godsend.

I look forward to following the Edgerton brothers future directing projects (Nash is also a stunt coordinator on movies like Knight and Day that are less intriguing).

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Posted on September 18, 2010

Movies »Shadow of a Doubt

directed by Alfred Hitchcock (1943)

In many ways Shadow of a Doubt is Hitchcock’s most mundane film. Compared to his more signature works, there’s not too much style in this a straight forward, less paranoid and pre-heavy psychology thriller but it’s still one of his best. Even the director himself called it his favorite American film. I love Joseph Cotten, and here he has as much charm as ever which makes the darkness of his character, Charlie even more sinister. A widow killer on the run, he is also a much loved Uncle to an all American small town family, with whom he decides to lay low with. The strong willed and lovely daughter, also named Charlie, admires him the most and feels a special bond with her dapper Uncle, but this also means she can see through his lies and slowly uncover his dirty, violent secret as much as she wished she could deny it.

One of the several writers that worked on the story before Hitchcock and his wife wrote the script was Thornton Wilder, author of Our Town who no doubt was a perfect match for the seemingly comforting small town setting. This idyllic and recognizable place is shaken by the introduction of evil. But as Uncle Charlie himself says “Do you know the world is a foul sty? Do you know, if you rip off the fronts of houses, you’d find swine?” – not all that America held dear at the time was as pristine as it looked. In fact, the character of Uncle Charlie was based on serial killer named Earle Nelson, a real life monster that was actually far more horrendous than his fictional counterpart.

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Posted on September 12, 2010

Movies »Irma Vep

directed by Olivier Assayas (1996)

Whether his work is always completely successful or not, Olivier Assayas is one of the most interesting film makers working today and his projects are engaging and memorable for their unique point of view and vitality. Irma Vep is probably his simplest work and one of my favorites.

In it, Hong Kong action star and dazzling charmer, Maggie Cheung is a stranger in Paris. Playing herself, she is cast in a French remake of the silent film classic Les Vampires. The film shines as an ode to movie making, but in a realistic way. Assayas is one of the few film makers who has a genuine interest in portraying creative working life as it really is. One could be forgiven for at first thinking this was a documentary, it balances a kinetic ballet of realism that reminds us of the best scenes from Altman movies, sans a major plot.

In fact, Irma Vep is rather aimless and subtle with not too much “happening” (in cinematic terms) but it’s never, ever boring – rather inspiring and exhilarating. From the off kilter and manically lovely costume designer, Zoe (played by Nathalie Richardson), to the fading, possibly insane and passionate director, Rene (played by Jean-Pierre Leaud, possibly channeling his one time director, Truffaut, whom he now resembles), you feel like you are watching the interactions of characters that are fully alive and real.

It’s visually striking and makes one sentimental about the transient, temporary and vibrant world of collaborative creative projects (especially if you’ve ever worked on a movie before). Irma Vep was released on Criterion Collection and is currently available on Netflix instant.

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Posted on September 5, 2010

Movies »Hard Ticket to Hawaii

directed by Andy Sidaris (1987)

We just went to see Piranha 3D and can say it’s a fun barrel of trash that at least goes literally balls out with its sleaze and B-movie tropes. It lead to a discussion about how hard it is to make good bad things. Which, aside from a full monologue about my favorite Seagal films, eventually, inevitably lead to a lesson in Andy Sidaris. His soft core oeuvre is incredible, and Hard Ticket to Hawaii is his finest – truly the Citizen Kane of soft core action films. All the signature Sidaris touches are here – Playboy actresses, long shots of airplanes taking off and landing, the excessive use of toy helicopters and cars to deliver either explosions or drugs, elaborate death scenes, and a bad guy named Seth.

Donna Speir, who grits her teeth for dramatic line readings and babysitter gone slightly naughty Hope Marie Carlton are special agents and copter pilots who stumble upon a drug ring mastered by Seth. Total babes Ronn Moss and Harold Diamond are their Agency mates and, in Donna’s case, tit rubbing lover (no worries about being too embarrassed a la Travis Bickle to watch this – the most you’ll get is semi nude heavy petting – though the stills after the jump/below might not be safe for work).

From the opening song “Hard ticket to Hawaaaaaii, it’s not paradise all the time” you know you’re in for a treat, a treat that includes a dangerous cancer infested snake (which in theory would just make it sick and likely to die but here makes it a man eating killer machine that can bust through toilets with a radio active glow), a weapon made from a frisbee and razor blades, and one of the greatest “action” scenes of all time that includes a blow up doll, hot dogging skateboarding, and explosions (you’ll find a moment by moment break down of this scene below).

Sidaris, who my family contacted as fans and was a lovely man with a co-creator wife that sent us all signed photographs, sadly passed away a few years ago, but his legacy is vast. My guess is he’s unknown to you, so you have plenty in his archives to discover – after this immaculate classic, try Picasso Trigger and Return to Savage Beach.

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Posted on August 29, 2010

Movies »Mulholland Drive

directed by David Lynch (2001)

With such a unique point of view and mind, a David Lynch project is always worthy of excitement, even if the results are extremely uneven and sometimes downright unbearable (see Inland Empire). It’s a pleasure then to revisit Mulholland Drive, even if it loses some of it’s stunning effect upon second viewing – there are just so many odd surprises first time round, it’s hard to recapture. By all means this should have been a confusing mess, and with dropped plot points, characters and strange twists, it nearly is – but somehow it all manages to work beautifully if not confoundedly.

It’s not surprising that the project was cobbled together from a pilot for a much larger television series. The fact that ABC, in a climate of prudence, rejected the pilot is a shame. While elements like the monster behind the diner, the hunk lover Billy Ray Cyrus, the cryptic cowboy, the appearance of both Lost’s Jacob and Robert Forster, the blue box, and the magic performance are all effective in the film, I’d love for all the ideas to have had a chance to flourish over time and we all would benefit from a new Twin Peaks style series to become obsessed with.

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Posted on August 22, 2010

Movies »Footlight Parade

directed by Lloyd Bacon (1933)

The Golddiggers of 1933 is our gold standard for golden era musicals, and while Footlight Parade doesn’t quit reach the magnificence of that film, it’s an engaging fun romp. Bolstered by an uber charming cast, all of which you notice made other categories this week including a fast talking, lithe dancing James Cagney, the wide eyed sass with a good head on her shoulders, Joan Blondell, the ultimate “juvenile” and nice guy Dick Powell, and the petite sweetheart Ruby Keeler.

Of course, the real centerpiece of are the over the top Busby Berkeley musical numbers that among other wonders include: men and women dressed as giant cats, a waterfall full of lady godivas, a hotel where women get busy on their wedding nights, an opium den populated by women in incredible costumes, and that man/child thing dressed as a mouse.

The film moves along at a breakneck pace, it’s at least twenty minutes before there’s even a pause between action and dialogue. The plot, that rushes by you, involves the arrival of “talkies” which pushes musical producer Cagney into the new business of creating live performance “prologues” for the new fangled movie theaters. It’s all a build up to the back to back musical numbers though.

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Posted on August 15, 2010

Movies »F for Fake

directed by Orson Welles (1974)

Orson Welles‘ (mostly) documentary film, F for Fake, is a kinetic, meandering, stimulating experiment in story telling that would be a great watch for anyone interested in the art of editing and inventive movie making. While it doesn’t hit one hundred percent of the time and can take a little bit for the viewer to get into the pace and tone of it all, it’s very interesting.. or as Jim put it more succinctly and probably better “it’s fun to watch a master just fuck around”.

The story Welles’ is fucking around with here is one of fraud. Elmyr De Hory is the world’s greatest art forger. We see him create Matisses and Picassos on camera (which he burns) and his work has fooled the greatest “experts” and museums in the world. Clifford Irving is the man fascinated with the man and writing a biography of his exploits.. but it seems Irving has a few of his own fakeries going on. Welles touches on his own greatest fraud/work of art the radio program War of the Worlds, a story of Pablo Picasso and a beautiful lady (with an even more beautiful wardrobe that you can see in the stills below/after the jump) and ultimately the innate element of lying whenever anyone creates something.

As Welles’ last film, it was sadly a total failure upon its release in the US. Its avant garde style was largely frowned upon but is now considered highly influential. Criterion released the film a few years back and it’s currently available on netflix instant.

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Posted on August 8, 2010

Movies »Amadeus

directed by Milos Forman (1984)

While working at home, it’s hard to decide on a background movie. If it’s foreign or too interesting, it’s a distraction, but if it’s too dull, I’d rather have nothing on. So, I’ve been delving into my very, very favorites and Amadeus has been one since I was a kid. Possibly the film I’ve watched more than any other, I can pretty much watch it with my eyes closed.

Milos Forman’s exquisite take on the legendary composer is based on the Peter Shaffer’s 1979 play. While the historical facts are played with, it’s a sensationally entertaining movie, with a perfect soundtrack and an amazing cast that for the most part was strangely rarely seen from again.

It’s the winner of numerous awards, including an Oscar for Best Picture, is available on instant netflix – there’s no excuse not to see it if you haven’t yet, or, like me, you can watch again for the thousandth time.

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Posted on August 1, 2010

Movies »Body Heat

directed by Lawrence Kasdan (1981)

I was a little surprised to learn that the neo-noir Body Heat was not adapted from a 1940’s novel by Block or Woolrich but an original story written by director Lawrence Kasdan, who has in the middle of a career high with Raiders of the Lost Ark and Empire Strikes Back behind him and The Big Chill and Return of the Jedi about to come. The story is a pitch perfect steamy noir set in foggy, sweaty Florida with a charming ladies man lawyer and a sultry femme fatale as the players, with just one pesky husband in the way.

Also perfect is the cast. You may not know it if all you’re familiar with is her early morning cursing, but Turner has the kind of womanly venom of a bad girl with a great body that is hard to find in actresses today. She eats men alive, makes them thank her for it and think it was all their idea in the first place. One of her best lines in the film is “You’re not too smart are you? I like that in a man.” Which, as a side note, is what my friend Bill used to say fit my choice in Junior High School boyfriends.

William Hurt, who again if you’re only familiar with the past couple years of roles as concerned Presidents (Vantage Point) or some father figure in the other Hulk movie no one saw, might surprise you with his sexual affability and greasy charisma. In lesser roles, it’s nice to see Ted Danson and Mickey Rourke round things out.

This is a steamy affair with tons of sex scenes and Chandler-esque dialogue. Perfect for one of these heat wave nights and available from netflix instant.

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Posted on July 25, 2010

Movies »The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom

Originally aired on HBO (1993)

Tongue in cheek humor, true crime, American absurdity and a spectacular cast – of course The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom made for TV movie is one of my all time favorites. Everyone seems to have forgotten how totally awesome Holly Hunter can me (seriously, why is she not cast in any of these hip quirky comedies of late – she’s the queen!!) and here she’s outstanding as the certifiably nuts true life criminal, Wanda Holloway, who attempted to pay her brother in law to kill her daughters cheerleading rival and rival’s mother. Beau Bridges and Swoosie Kurtz also stand out as the down on his luck brother in law and his insane wife.

It originally aired on HBO in the early nineties but is available on DVD and worth putting to the top of your netflix queue.

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Posted on July 18, 2010